Sunday, April 22, 2007

Fountains of Wayne

I gotta say, when I heard "Stacy's Mom" for the first time, I thought, these are a bunch of Blink-182 wannabes, thinking they're way cooler than they are. Now, though, I admonish me from back then, especially since I'm a huge fan of musical farce (my favorite band of all times is They Might Be Giants, and I saw Harry and the Potters do a live show) and should have known better. "Stacy's Mom" is not the height of Fountain of Wayne's musical talent, but it's a damn catchy song, and the band was probably as surprised as anyone when it catapulted them into the mainstream.

"Traffic and Weather," FOW's latest release, is not the group's best release, but it's nothing to complain about. The main criticism people may have is that there's no standout track or one that screams "single," but I'm coming to realize that an album's very composition, not the tracks that make it up, is what makes it great. (Just ask a group like Sparklehorse.) "Traffic" is an album about journeys, about the search both physical and psychological, for something and for reasons you can't quite understand. I love albums with themes, mostly because I'm an English major and am inherently attracted to poetry and hidden meanings and especially trying to figure out someone's attitude through the appearance of his art. These songs seem to say, "Life's about travel, and something traveling sucks and is really boring and frustrating. But you gotta get from one place to another, and you should enjoy the trip if you can." And of course, as per usual, we get the song about a girl with a two-syllable name -- in this case, "Revolving Dora," about a DMV worker. As far the actual sound, I could throw out words like "catchy" and "infectious" and "pop rock" and "lyrics," but, come on, it's Fountains of Wayne. I can't imagine they could write a bad song.

Wednesday, April 18, 2007

"When ideas fail, words come in very handy." - Goethe

It's not as if I've never thought about tragedy. My memories of Columbine (in the 8th grade) and 9/11 (as a junior in high school) are crystal clear, and those were terrible and shocking times. But nothing like the recent events at Virginia Tech has ever had this effect on my sensibilities. The Columbine killers were batshit insane, clearly -- citing Marilyn Manson, violent video games, the whole bit, giving overprotective parents and conservative assholes more fodder for banning anything with the minutest bit of potential for causing emotional distress or inciting violent tendencies in young people. The Columbine killers worked together, a deranged duo on par with the craziest of Charles Mansons, Jeffrey Dahmers and suicide bombers in parts of world I can't even fathom living in right now.
And 9/11, that was a time of horror we shared as a nation, completely bewildered at the insanity of people who lived far away and worshiped in a way absolutely foreign to our own; people who gave no thought to the lives they snatched away, so utterly set upon their own sick, twisted, brainwashed ways that they transformed the way our nation carries on even more than five years later. I watched, like every other American, for days and days, cable news and local news and printed news, trying in vain to learn, trying to make sense, trying to forget the pain.
But this Cho kid, he grates my mind and heart in such a way that is so awfully, so nauseatingly familiar. I went to a small school on the East Coast, in a state that shares a border with Virginia. I was an English major with a creative writing minor. I took fiction classes and poetry classes and playwriting classes. I knew and even associated with the weirdest of people, literature students who wrote about situations and characters that impressed and even intimidated me, though mostly because the creativity and thought in these works were beyond my own. Being an English major pushed me to take my own analysis, my own creativity to levels I never knew existed. There is something about a community of writers that is like no other interaction or dynamic in the world, and daily I try to reconnect, if only in my mind, to that world in order to retain that writer's high, that intellectual plateau.
I could have known Cho. He could have been that silent kid in poetry class who took half-joking, half-disturbing jabs at certain members of the college community in his biweekly creative writing submissions. He could have lived in the dorm down the street, crossing the street the same time I did to get to a 10:30 class. I could have tripped over his chair in the dining hall; I could have rolled my eyes and made snarky, completely unfounded comments about him with my friends because that's what college girls do.
My story is exactly like any other college student's story: delightfully average. I got drunk; I danced; I cried; I stayed up all night and failed tests; I stressed over nothing; I walked downtown and ate egg sandwiches at 3 in the morning in the rain.
Now, here's where it all breaks down. There were people I disliked in college; there were people I met in college that will be my best friends forever. Where, in all of this, does a boy decide to buy a gun? When does he decide to commit the most heinous of acts and take another person's life? When does it all end for him? What, exactly, are this thoughts the morning of April 16? What does he feel when he pulls the trigger, and then decides to keep pulling it? These are questions I will never know the answer to, because my mind cannot comprehend a mind such as his. There is an abrupt and sudden disconnect between the deepest, most secret part of my brain where my darkest thoughts reside, and the point where I can comprehend even with the most open and objective mind how the entire godforsaken world a person can purchase a gun and decide the only way out of his problems is to take 32 lives.
If I were a religious person, this would shake the foundation of my faith. But instead, I'm left with such a gaping hole in logic that I'm honestly wondering how the universe can still function. How can someone like this Cho kid simply be allowed? How can such an anomaly, such a fundamentally fucked-up person not be recognized, be fixed, be done with? How could any god, any world, any universe allow this? Tell me why any parent who sends his or her child off to college should have to get a phone call saying that child will never be coming home. Tell me why the students at that school should have to struggle for the rest of their lives with what happened that morning.

Tell me how one person, one mind, can cause the foundations of worlds to crumble.

Friday, April 13, 2007

Gal Friday

Today in music*:

* Does not necessary indicate "new" music, as in "available to the average person not on or who knows someone on a promo-copy mailing list" -- "new" to me is simply "hey, interesting stuff! Am I the only one who didn't know about this?"

1. Mika -- "Life in Cartoon Motion" (2007)
I remember skimming Amazon for upcoming releases and being drawn to Mika's album the same reason I'm drawn to any album on the 50+ pages of upcoming releases on Amazon: the flippin' awesome cover art.


The mix of "Yellow Submarine" and "Reading Rainbow" screamed at me to check it out, and boy was I glad I did. I got my first listen to "Grace Kelly" on his MySpace, and I rejoiced a few weeks later when I found the mp3 on a blog. Somewhere thereafter I found out his song "Love Today" was featured in a Verizon commercial (can't find it on YouTube... try this promo for "Grace Kelly" instead), and I got to have an "I called it!" moment (the same moment I had when I heard The Fratellis on that iPod commercial after having been a fan for about three months. I love my iPod, and my MacBook, but I hate Apple for being so damn good at marketing "cool.")

So, having worked in the media for a while and being able to get my hands on free music basically whenever I wanted, I haven't quite gotten back into the habit of buying music. I mean, I want musicians to know I appreciate their work, and I want them to be able to eat, but ... well, my excuse for now is student loans. So I picked up "Life in Cartoon Motion" from a friend, and while "Grace Kelly" is clearly the standout track as least as far as memorability, it's a solid debut album, and Mika (aka Michael Holbrook Penniman, of London by way of Lebanon) has a gorgeous voice with great range. He seems to have the personality and creativity to back up his musical talent, plus all the airplay he's gotten on TV and movie trailers, so unless this album is a total fluke, I don't think he'll be going away anytime soon.

2. The Dears -- Gang of Losers (2006)
I've been a Dears fan for a few months now. I interned at NPR, which was my first exposure to the wonderful world of free music goodness, plus I got to write about music, too, and the Dears were one of my projects.


I associate them with Midlake, since I got hooked on both groups at about the same time, but the Dears have a much more endearing sound, an ethereal but still very solid "please love us" quality that you can't help but tapping your foot to. (Not to dis Midlake -- more on them later.) I've found I can use the phrase "There goes my outfit" in a myriad of ways: when someone fucks my shit up and there's nothing I can do because it's usually my boss; when I'm late for something and the elevator in my apartment stops at least seven times before I get down to the lobby; and when my hamster pees on my jeans and I have to change. Here's the video for "Ticket to Immortality."

3. The Good, The Bad & The Queen -- "Live from SoHo" (2007)
Three cheers for Damon Albarn. The man behind Blur and The Gorillaz finds somewhere in his giant musical brain fresh material that is both reminiscent of the best of the rock part of the Gorillaz and some new/psychedelic/orchestral/guitar-laced crooning that just blows my mind.

"Herculean" isn't my favorite track on the full-length album (self-titled: check it out; it's awesome. As is the video for "Kingdom of Doom."), but it's by far my favorite on "Live from SoHo," an iTunes-exclusive EP of songs recorded at a rare U.S. performance.


*****


Some words on words

You've heard by now that writer Kurt Vonnegut died Wednesday, April 11 at the age of 84. I had the great privilege to see Mr. Vonnegut give a lecture in 2000 in Kansas City -- the thing that sticks out most in my mind is some baby crying continuously throughout, and KV breaking his spiel for a second and yelling, "Would someone shut that kid up?"

I went on to read "Slaughterhouse-Five" for my sophomore English class in high school, "Slapstick" while I was supposed to be applying to colleges, and "Cat's Cradle" for a Post-Modern American Fiction class my last year as an English major. I further went on to write a 15-page paper discussing Vonnegut's use of Swiftian satire in "Cat's Cradle." Then I graduated from college and started TiVoing "LOST." Sometimes I worry about the quickly deteriorating state of my life.

From an essay by Douglas Brinkley on Mr. Vonnegut:
(T)hen Vonnegut started coughing, clearing his throat of phlegm, grasping for a half-smoked pack of Pall Malls laying on a coffee table. He quickly lit up. His wheezing ceased. I asked him whether he worried that cigarettes were killing him. "Oh yes," he answered. "I've been smoking Pall Mall unfiltered cigarettes since I was 12 or 14. So I'm going to sue the Brown & Williamson Tobacco Company who manufactures them. And do you know why?" "Lung cancer?" I offered. "No. No. Because I'm 82 years old. The lying bastards! On the package Brown & Williamson promised to kill me. Instead, their cigarettes didn't work. Now I'm forced to suffer leaders with names like Bush and Dick and, up until recently, Colin."

Vonnegut of course made this memorable appearance on "The Daily Show."

Basically, the man functioned as a harbinger of doom for the human race, writing about pain, war and the end of the world, but he also wrote about love, regeneration and the goddamn unquenchable hope for mankind. He had the kind of mind that puts him on the same page as Mark Twain and Jonathan Swift himself. And within a minute of being in the same room with him, you could tell he had a heart of gold. Mr. Vonnegut, you will be missed. Let me join the chorus of Americans as we say: So it goes.